I’m having fun with the series of old-school brick buildings that I’ve been designing, but it is fun to mix it up with more modern buildings wedged in where they can fit. I love quirky buildings that are tailored to unusual footprints or materials.

As much as I love modern architecture, I adore the layers of history in a city. I like the way that you can read the eras and the changing character through the buildings. There is a atmosphere in that history that has to be accrued through experience.

Sometimes my buildings are inspired by architectural sculpture. When I saw it, I knew that I needed to build it. It took a few iterations, but it was worth it.

This week I wound up with a 2-in-1, as the main building didn’t fill the whole space and I needed to add a second building to round it out. I managed to use two different styles and a many different build techniques!

Some models start with and concept, an interesting image, and evolve away, becoming something totally different. This building started simpler, but I kept adding complications until it was something unusual.

I get most of my architectural inspiration from photography. This week’s building is no different, as I saw an image a while back with all the elements of this building: the sloping base, the tall stone and the vertical panes of glass. It took me a couple tries to make it my own.

I’ve been really digging small brutalist buildings lately and my inspiration file is running over. This latest model is a perfect example, with hard concrete angles in a small package.

I am intrigued by the concept of architecture as canvas, where images are rendered with light and texture. The scale of Micropolis doesn’t provide the resolution for landscapes or portraits, it is possible to create geometric designs.

Not every building in the city is in architectural masterpiece. I’m always struck by the offensive beauty of brutalist buildings, and imagine them as great bastions of bureaucracy. When it came time to build a city government building for my city, I had to make it a concrete monstrosity.

This model was inspired by a larger, more ambitious architecture. I was struck by a building called The Interface, but the scale of it was much too large to be reasonable in Micropolis. The Silversmith building is my scaled-back compromise.